Every screen, as the firmware draws it.
Each picture is the 200×200 framebuffer of the simulator, driven into that state and read out pixel for pixel. A screen that changes on the device is a capture taken again.
The radar, both ways
PLOT on the settings menu draws the radar one of two ways. ALL, the first choice and the one a device ships on, shrinks the ring and stands every aircraft past it on the band around it, on its bearing. TO SCALE puts every mark where the ring’s scale puts it, and leaves off what does not fit. Three skies, each captured both ways off the same firmware.
A sky that fits the ring.
Three aircraft inside four miles. With ALL they sit in the smaller ring, and nothing else changes. To scale, the ring is the large one.
Traffic past the ring.
One aircraft closing from five miles ahead, a gaggle of three eight miles off the right of the nose, one eleven miles to the left. With ALL, each stands on the band, the gaggle is one mark counted 3, and the closing one’s minute is already inside the ring. To scale, only the one ahead reaches the glass.
Traffic astern.
Three aircraft six to eight miles behind, and one inside the ring. With ALL they are one mark counted 3, stepped aside from the range label rather than under it. To scale, the three are off the glass.
In flight
Settings
Diagnostics
On the ground, and off
Asked on the glass
Technical notes
Why the screen behaves the way it does.
The panel is a 1.54″ e-paper, 200×200 pixels. It keeps its last image with the rails down and draws nothing to keep it there, which is what makes the parked wordmark an indicator and a blank screen the right thing to store.
In flight, every frame is a partial refresh. The full waveform, the one that flashes the panel black and white for a second and a half, is spent twice in a session: at power on, and at power off. A page change goes through a single black wipe instead, and the alarm’s one flash a second is the panel’s own floor rather than a rate we picked. Faster is possible, and a large black region toggled that hard marks the glass for good.
- Partial refresh on every frame
- The full waveform twice a session
- A page change is one black wipe, a third of a second
- A frame identical to the last is never sent
- Left alone above 50 °C, its maker’s limit
- Parked white at the cutoff, never mid-picture